The author makes an attempt at an analysis of the original text „Roland Barthes par Roland
Barthes" from the point of view of narration and identity. The fundamental question emerging
from the analysis of the text is that of how it is possible to write about oneself at all, writing an
autobiography and what obstacles are presented to this kind of writing by language itself and by
history. This is proven by unequivocal analyses of personal forms appearing and playing a special
role in „RB par RB".