Studia Kulturoznawcze, 2012, nr 1(2)
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Browsing Studia Kulturoznawcze, 2012, nr 1(2) by Subject "abiekt"
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Item Ciało chore – pokazujące i pokazywane(Wydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniu, 2012) Kościańczuk, MarcelaSick body which represents and is represented A text is an analysis of representations of a mutilated women’s body in contemporary art. Regarding to Édouard Manet’s transgression I deliberate the artworks by his followers: Magdalena Frey, Katarzyna Kozyra, Magda Hueckel and Joe Spence. A matter of viewers’ reception and production of image of mutilation is considered as well as the problem of cultural borders of presentation of abject.Item Człowiek zamknięty w ciele – intymność i wstręt w powieściach Elfriede Jelinek(Wydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniu, 2012) Dłużewska, EmiliaRestrained in a body – intimacy and repulsion in Elfriede Jelinek’s novels. The essay focuses on the work of Austrian writer Elfriede Jelinek and it is an attempt to analyse how is her writing associated both with the concept of “repulsion” and specific gender experiences. Jelinek’s characters are usually women who tend to get involved into extremely abusive relationships, focus on the sexual aspect. This tendency can be viewed as a result of social processes connected with gender such as reducing women to their bodies and refusing them subjectivity – as a result, a physical abuse becomes the only possible way to achieve intimacy. To explain why are the relationships described by Jelinek so extremely repulsive for the reader, the essay refers to regard Julia Kristeva’s theory of abject, basing on primary experience of being absorbed by mother and manifesting itself only through the feeling of repulsion. Women described by Jelinek are repulsive, as they are unable to achieve autonomy and therefore remind us of the fragility of our own individuality.Item Manifestacje Valie Export w perspektywie recepcji miejsc abiektu(Wydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniu, 2012) Lipiński, KamilManifestations of Valie Export in the perspective of reception of abjective places The manifestations of Valie Export are analyzed in the light of abject theory of Julia Kristeva as the form to break with the autonomy of modernism through its contextualization in the “expanded field” of public space and widespread conceptual forms proposed by Rosalind Krauss. The works of Valie Export present the social engagement in recycling the clichés of picture tradition and in breaking the tension caused by interpersonal contact with the viewer and participant of her performances. The author discusses the reception of Valie Export’s actions both performed by Marina Abramović in the work taking place in the new spatial context of museum in the static position, and “camped” version of Tapp und Tastkino prepared by Franco and Eve Mattes as a navigation platform in the system Second Life involving her avatar.