Symbolae Philologorum Posnaniensium, 2008, nr XVIII

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Browsing Symbolae Philologorum Posnaniensium, 2008, nr XVIII by Title

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    A duch jego był napięty jak łuk
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Stankiewicz, Lucyna
    The author of this article discusses particular fields of activity of Appius Claudius the Blind, the first individualised figure in Latin literature. This citizen of Rome who lived at the turn of the 4th and 3rd century B.C. became famous as an outstanding politician, reformer and orator.
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    A Symbolic Language of Space in the Myth of Er
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Stróżyński, Mateusz
    The narrative of the myth of Er often seems diffcult to follow and understand, because the laws of spatial relations are being continuously bent or broken. The author claims that these inconsistencies have a symbolic meaning. Space is an image for the soul and spatial transformations refect the dynamics of contemplation in which the inner and the outer are transcended.
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    Antyk i współczesność: wokół pragmatyki tekstu antycznego (1Tm 1, 17). Z badań nad tradycją antyczną na Górnym Śląsku
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Aleksandrowicz, Tadeusz
    The article presents an interpretation of the Soli Deo honor et gloria inscription from the fronton of the metropolitan cathedral of Christ the King in Katowice. The interpretation of the text depends on whether the word soli is taken as solely attributive or also as predicative. Given both the ancient and the contemporary historical and cultural contexts the former appears more plausible.
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    Audiencja u cesarzowej. Komentarz do wizerunku Liwii Druzylli w Owidiuszowej poezji z Pontu
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Wójcik, Andrzej
    In the Tristia and Epistulae ex Ponto one can fnd some elegies dedicated to Livia, Augustus’ wife. The formal panegyrical tone of them cannot hide the poet’s ambiguous attitude to his great and dangeorous enemy in the emperor’s court.
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    Duma Halikarnasa
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Ławińska-Tyszkowska, Janina
    The paper is a trial of translation of hellenistic panegyrical epigram fund in the half of 20th century.
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    „Emmanuelis Alvari syntaxis” – przez dwa wieki
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Popiak, Wanda
    The paper briefy touches the Latin syntax elaborated by Emmanuel Alvares (1526–1582). The book was published in Poland in 1577 and was used in our schools till 1815. The author of the paper shows how the manual was employed in Poland with the passing of time.
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    Epigramy żałobne Klemensa Janickiego (1516–1543)
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Lewandowski, Ignacy
    In the paper above 20 funeral epigrams by Klemens Janicki were investigated. The author of the paper focussed his attention on the richness of topics, egregious and their ancient and recent examples.
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    Exulowie wszystkich czasów, czyli Owidiusz i inni
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Milewska-Waźbińska, Barbara
    The aim of this paper is to examine how 20th century draws inspiration from Ovid’s exile and his works. The paper examines how Jacek Kaczmarski offers a poet “a response” to Ovidian exile.
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    „Gotyckie” elementy w tragediach Seneki
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Pypłacz, Joanna
    In the present article I discuss the remarkable fact that many of the motifs to be found in Seneca’s tragedies – such as a horrible death, a madman, an obsession or some supernatural agent – are also to be found in abundance in the work of “Gothic” authors such as Ann Radcliffe and Edgar Allan Poe. Indeed, these motifs are now commonly considered to be the hallmark of the Gothic genre. I also analyse some of the techniques which Seneca uses to arouse fear and stimulate the reader’s imagination, comparing them with those used by Poe and other Gothic writers.
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    Hermogenes z Tarsu. Starożytny, renesansowy i obecny wizerunek jego postaci
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Podbielski, Henryk
    This article is part of a larger study of Hermogenes’ works which will precede my translation of his main work in the field of rhetoric stylistics "De ideis". Based on the analysis of ancient evidence and modern studies, in this article an attempt is made to reconstruct the life and works on rhetoric of Hermogenes of Tarsus acting in the 2nd century A.D. and the reception of his work in the Byzantian Middle Ages during the Renaissance and nowadays.
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    „Heroidy” I i II Owidusza
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Wesołowska, Elżbieta
    The paper contains two elegies from Ovid’s Heroides. They were composed as the fctional letters from loving women to their lovers being far away. Here the translation into Polish is proposed.
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    Koszmar Nazona
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Puk, Marlena
    In this article the author presents and briefy discusses a short story of Antonio Tabucchi entitled Sogno di Publio Ovidio Nasone, poeta e cortegiano, published in the collection of stories: Sogni di sogni. The novelist imagines Ovid transformed into a big butterfy coming back to Rome and describes the consequences of this metamorphosis.
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    Krytyka nowomodnych poetów we fragmencie 16 K.-A. Anaksandridesa
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Bartol, Krystyna
    The article offers a new interpretation of Anaxandrides’ comic fragment (16 K.-A), preserved at Athenaeus 14.638c-d as a part of an extended discussion of the authors of disreputable poetry and the decline of music. It has been argued that in this fragment – in fact the only remaining from Anaxandrides’ play entitled Heracles – the spotlight is focused not, as has been hitherto assumed, on the comparison between a musically talented person and an unskilful one, but rather on the complaint about the musical style represented by pieces composed and performed by a certain Argas and artists of his ilk. The point of the ironic “praise” of the unnamed musician, presumably refect-ing the taste of the audience, is to sarcastically treat him as an artistic nobody.
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    Mim i motywy komiczne w „Orestei” Ajschylosa
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Korus, Kazimierz
    Aeschylus used the structure of the mime in the prologue of Agamemnon (v. 1–35) and the comic topoi such as the motive of drunken old women (Eumenides, v. 46 and n.), the scolds (ibidem, v. 206) etc. in order to decrease the dramatic tension.
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    Motyw listu w komediach Plauta
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Jagiełło, Katarzyna
    The article presents an analysis of letters found in Plautus' comedies. Dividing the correspondence into that which is read and that which is not read on the stage and into the authentic and falsifed, presents its structures, studies its coherence and defnes dependencies between the type of a letter and the role it plays in the comedy.
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    Motyw rozpoznania a sposób prezentacji postaci kobiecych w palliacie
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Maciejewska, Aleksandra
    The article shows how the recognition infuences on the way that female characters are presented in palliata. This motif is very common in Plautus’ and Terence’s comedies. It can be said that anagnorismos enables the introduction of women on the stage and is not at variance with antique customs and decorum.
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    Nasz Profesor Sylwester Dworacki
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Danielewicz, Jerzy
    The author presents the profle and scholarly achievements of Professor Sylwester Dworacki, a distinguished classicist from the University of Poznań, to celebrate his 70th birthday.
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    O epigramach z „Żywotów Homera” słów kilka
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Appel, Włodzimierz
    This short article aims at drawing attention to the Gelegenheitsdichtungen (occasional poetry) which, directly or indirectly, are identifed with epigrams in the preserved texts of Homer’s life. In this context it seems interesting that Homer’s epitaph, composed and inscribed in hexameters, is elegeion not epigramma.
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    O zachowaniu się przy stole, czyli kodeks etyki biesiadnej w „Uczcie” Filoksenosa na tle greckiej tradycji literackiej
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Stuligrosz, Magdalena
    The author of the article presents Greek sympotic and dining customs mentioned by Philoxenus of Leucas in his poem Deipnon in comparison with the archaic and classical model of sympotic behaviour. She shows the importance of moderation and balance not only in consumption of food and wine but also in various aspects of entertainment contained within the symposium part of the meal.
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    Opowieści libijskie
    (Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2008) Wróbel, Małgorzata
    The article focuses on Dionysius Skythobrachion' s mythical romance, The Lybian Stories (D.S III 52 – 61) and also on fragments from Aelian' s On the Nature of Animal ( XV 2) and Proclus Commentary on the Timaeus of Plato (p. 177, 10-30; 181, 15) which indicates that perhaps a novel or romance Aetiopca written by Marcellus existed.