Studia Rossica Posnaniensia, Nr 36 (2011)
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Item 1. Strona tytułowa(2012-05-08T07:52:58Z)Item 2. Содержание 36, 2011(2012-05-08T07:46:25Z)Item Problemy fonostylistyki w twórczości poetyckiej Wielimira Chlebnikowa(2011) Górska, MonikaThe article presents an attempt to analyse Velimir Khlebnikov's selected poems from the point of view of phonostylistic, i.e. sound and prosodic organization. In the poet's texts, sound can be said to have three main functions: onomatopoeic, conceptual, and structural. Each is present in Khlebnikov's texts, but none of them manifests to the same degree. A detailed analysis of these texts with respect to phonostylistic elements reveals a number of meanings absent from many other analyses, and many times proves to be the exclusive method of comprehension of Khlebnikov's texts.Item Twórczość Borysa Pasternaka w badaniach polskich(2011) Zbyrowski, ZygmuntThe Poetry of Boris Pasternak has been known in Poland thanks to translations and critical articles already since 1920s. Nonetheless Polish researchers became interested in his oeuvre as whole after the authors death. The largest number of studies originates from the last two decades, and their characteristic features include a great diversity of problems and methodology. The Polish authors are especially interested in the contents and form of Pasternak’s writings, and their analysis concern particular works (e.g. poems) or asserted questions and phenomena typical for Pasternak. The most active researchers in Poland are Anna Majmieskułow, Jerzy Faryno and Zygmunt Zbyrowski, other authors have published pertinent articles.Item Архетип героя в повести Олега Павлова „Казенная сказка”(2011) Kryłowa, SnieżanaIn the article, basic features of the main hero of the story The state fairy tale captain Khabarov are being analysed. It’s also proved that the story became a support for overcoming the spiritual chaos for the writer during the epoch of disintegration of the 1990s.Item Жизнь идеи в художественной форме метароманов Ф.М. Достоевского и В. Набокова(2011) Kaźmierczak, Natalia; Kropaczewski, KrzysztofThe paper focuses on the analysis of F. Dostoyevsky's and V. Nabokov's metanovels as the phenomenon synthesizing all core values of artistic consciousness and the world of a sensitive reader. The examination of Dostoyevsky's and Nabokov's metaprose shows the coexistence of languages and cultural systems characterising both writers. The comparative method of the interpretation is utilised in order to show the unique model of intertextuality in 19th century and modern Russian literature.Item И. Тургенев как протомодернист. Пьеса „Месяц в деревне” в контексте цикла эссе К. Гринберга „Защита модернизма”. Предвестие нового художественного стиля(2011) Waligórska-Olejniczak, BeataClement Greenberg is considered as one of the greatest and most influential American critics of the late 20th century. Understanding modern and postmodern discussions in the world of literature and fine arts seems to be impossible without the profound knowledge of Greenberg's opinions. The aim of the studies in this article is the comparative analysis of I. Turgenev's drama A Month in the Country and fundamental principles of Greenberg's theory of modernism, the attempt to generate the inner relationships between those two works of art. Treating the aforementioned drama as the model piece of Turgenev's dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. The interpretation of Turgenev's play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression.Item К теме творчества в ранней поэзии Анны Ахматовой. Финал книги „Четки” (1914)(2011) Owsiannikowa, SwietłanaThe article is dedicated to the analysis of the final of Beads by great Russian poetess Anna Akhmanova. The book’s final consists of just nine verses, but, nevertheless, it is beautiful and amazing. In a relatively brief article the author tries to acquaint us with a very complex, multicolored world created by the poetess and also attempts to bring to a focus the deep, sharp feelings of lyric heroine.Item Мотив семейного разлада в русской беллетристике о жизни духовенства 1860–1870-х гг.(2011) Łukaszewicz, MartaIn the present paper the analysis of a motif characteristic of the Church-oriented novels, novelettes, stories and sketches – the motif of family discord – is offered. The examination of several literary works of the 1860s and 1870s has shown that it is the depiction of the negative aspects of clergymen's family life that dominates, the reasons for which being different moral principles, hierarchy of values and major life objectives. Usually it is a priest's wife that is presented as a negative character, although the opposite may be also observed. In the paper both the influence of the literary motif of family discord, popular in the realistic literature, is examined and certain facts of everyday life of the Orthodox clergy are presented in order to show the combination of these factors in the Church-oriented literary works.Item "Мысль" Леонида Андреева в контексте "Мыслей" Блеза Паскаля(2011) Andruszko, CzesławThe article describes Thought by Leonid Andreyev as a kind of contemporary artistic reflection of paradoxes descended from Thoughts by Blaise Pascal. The short story Thought by Leonid Andreyev is examined as a creative orientation of its author to Thoughts by Blaise Pascal. A comparative analysis of both works proves that, beside the antynomic vision of man and the world, Andreyev shares with Pascal a similar usage of notions such as thought, imagination, and abyss. The former, however, simplifies the ideas and views of the prominent philosopher in order to better reach the consciousness of the modern reader.Item Николай Гоголь в культурном контексте эпохи (на материале повести А. Полторацкого „В Петербурге”)(2011) Romaszczenko, LudmiłaIn the article based on the story In Petersburg by Alexei Poltoratsky, N. Gogol's personality in the cultural context of Russian empire capital is considered. Special attention is paid to creative relations of N. Gogol with prominent cultural personalities of that time: Pushkin, Jukovsky, Delvig, Maximowich and others. Except that the author reconsiders some stereotypes of appraisals touching these historical persons.Item Один герой трех рассказов И.А. Бунина(2011) Kapinos, ElenaThe paper of Yelena Kapinos One Protagonist of Three Short Stories by Ivan Bunin analyzes three short stories by Ivan Bunin (Grammar of Love, A Winter Dream and In a Never- Never Land). The stories are connected through the same recurring protagonist, Ivlev, who functions as a “mediator” between the world of the characters and that of the author. The Tyree texts are structured as a kaleidoscope of similar motifs, details and narrative techniques that reveal the key elements of Bunin's poetic universe.Item „План мира” и мотивы поступка русского литературного героя (И.С. Тургенев и Дж. Байрон)(2011) Nikołajew, NikołajThe paper is aimed at understanding peculiarities of behavior of the Russian literary character. The analysis of the early romantic poem Steno by I.S. Turgenev is defined by its imitating of Byron's Manfred. At the same time, the author of the paper indicates items of difference in the “architectonics of actions” as it is viewed by the Russian and English literary character.Item Польская тема в произведениях Василия Аксенова(2011) Karlina, NataliaIn this article the author suggests an unexpected thematic turn (the Polish turn) of analysis of V. Aksyonov's works. The analysis of the novel Moscow Saga (1994), for example, concerns the involvement of novel's characters in solving “the Polish question”. Aksyonov's attitude to the matter coincides with A. Herzen's reaction to tragic events of 1863. But both A. Herzen and V. Aksyonov wrote not only about Russian-Polish war conflicts. These authors recognized also Polish charm.Item Поэзия Вадима Андреева и Даниила Андреева: к проблеме нацио- нального мирообраза(2011) Daszewskaja, OlgaThe report presents an analysis of works of а Russian mystic poet and philosopher Daniel Andreev (1906–1959) and а European poet Vadim Andreev (1902–1976) as а phenomenon of 20th century's cultural development. Cross-cultural communication in the poets' works is combined with developed national identity. Vadim Andreev's poetry embodies national identity through developmeпt of motives representative for the Russian literature. Reconstituted world of the Russian literature (А. Pushkin, А. Blok, O. Mandelstam) defines axiological unity of his poetry and is of primary importance information of his creative competenceItem Поэзия на службе власти – раннее панегирическое творчество Симеона Полоцкого(2011) Kozak, BarbaraIn this paper we endeavour to probe into the life and art of а unique poet and intellectual Symeon of Polotsk. We are dealing with this on the basis of his first still unpublished manuscript, focusing on the panegyrical works. Symeon, the future tutor of Peter the Great was formed in the turbulent times of the 17th century on the eastern lines of the weakening Polish empire. In his thirties he was forced to flee his native Polotsk and took refuge under the wings of tsar Alexei Mikhailovich in Moscow. There his talents found an excellent opportunity to flourish. The court of the Romanovs was Fast becoming the cultural and spiritual centre of the absolute monarchy, which was soon to become the powerful Russian empire. The poetry of Symeon took an indispensable part in the burgeoning royal ceremonial. In this the poet not only responded to the realities of the tsar’s court, but shaped new directions in the baroque art and influenced other wordsmiths of his time. The uniqueness of his approach to the panegyrical poetry employs biblical symbols and celestial analogies in order to celebrate the might and wisdom of his master and protector. This paper pays tribute to the indisputable originality of the worksItem Проблема героя в рассказе А.П. Чехова „Черный монах”(2011) Chudzińska-Parkosadze, AnnaThis article is focused on the ontological issues that are reflected in one of the most philosophical stories written by A.P. Chekhov – The Black Monk. The core idea on which the construction of the hero and the presented world are based turns out to be dualism. Kovrin belongs to the upper world of idea, so consequently, this status brings him to the conflict with the usual people – the dwellers of the world of the matter. This platonic philosophy seems to reflect not only a certain artistic strategy of the writer, but also a personal view on the human existence in the world of Chekhov himself. What needs to be underlined is the fact, that the writer seems to believe that in the process of human evolution the number of people belonging to the realm of idea will increase in the future.Item Религиозно-нравственная проблематика в деревенской прозе ХХ века (В. Астафьев, В. Распутин, В. Шукшин)(2011) Popiel-Machnicki, WawrzyniecVictor Astafiev, Valentin Rasputin and Vasiliy Shukshin are the representatives of a rural Russian prose. They all come from Siberia that has a great impact on their works. They wanted to save the rural spirit, hidden in the endless forests of the taiga, from the destructive influence of the urban culture. The writers wanted the Siberian countryside to help Russian society, which was drawn away from cultural roots, to return again to God.Item Смысл символики имени „Макар” в контексте творчества Ф.М. Достоевского и проблем эсхатологии как скрытый концепт жизни и культурной креативности человека(2011) Krężołek, OlgaThe paper deals with the meanings of the name Makar according to Florinsky's metaphysical conception which, with reference to the symbolic representation of simplicity in the oeuvre of Dostoyevsky and its problems of eschatology, make it possible to reveal the universal and cosmological message hidden in the symbolic content of the name. The name Makar as a symbol of the organic unity and the integrity of man's personality is rendered as a biblical universal model of the whole creation of which man is its expression. Man is meant as “God’s temple” which is “holy” i.e. ideal, as ideal is innocent man. Therefore, the name Makar in the oeuvre of Dostoyevsky is meant as the only valid conception of man's life and creativity which corresponds to God's Universe and protects man from further decline and degradation of life and culture because of its extreme measure.Item Творчество А.П. Чехова в рецепции С.Н. Булгакова(2011) Sobennikow, AnatolijThe article is devoted to Sergej Bulgakov’s reception of Chekhov. Bulgakov turned numerous times to the works of Russian writers, such as Gertsen, Dostoyevsky, Tolstoy and others. The public lecture ‘Chekhov as Thinker’ was given in the autumn of 1904 at the Tenishev College. It can be examined within the framework of Bulgakov's reception of Chekhov's writings. However, a more productive approach seems to lie elsewhere: the philosopher’s thoughts on Chekhov in the context of his transition ‘from Marxism to idealism’. In this sense, the lecture on Chekhov represents a sum total of sorts. Chekhov's heroes become for him an example of the discrepancy between the general level of culture and spiritual potential of personality. In Chekhov's artistic world, the accent is indeed placed on the individual's moral effort. Instead of putting forward demands to the world, Chekhov's heroes, such as Dymov (in Poprygunia, The Hopper), Misail Poloznev (in Моя жизнь, My Life), Nina Zarechnaja (in Chaika, The Seagull) and many others, begin with demands on themselves. The public lecture was given at the time of first Russian Revolution of 1905. Thus the philosopher extends the boundaries of aesthetic analysis, and considers Chekhov's oeuvre as a testament, while the personality of the writer becomes an example of civic service.