Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/1094
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dc.contributor.authorTrepte, Hans-Christian-
dc.date.accessioned2011-06-20T10:27:40Z-
dc.date.available2011-06-20T10:27:40Z-
dc.date.issued2007-
dc.identifier.citationPORÓWNANIA. Czasopismo poświęcone zagadnieniom komparatystyki literackiej oraz studiom interdyscyplinarnym. nr 4, 2007, s. 127-137.pl_PL
dc.identifier.issn1733-165X-
dc.identifier.urihttp://hdl.handle.net/10593/1094-
dc.description.abstractThe text is devoted to German films that deal with reckoning with the socialist past. The first films that attempted to reckon with the times of real socialism were produced after the breakthrough during the unification process of Germany. The activity of the secret Stasi police is a pivotal topic in these films. The protagonist are mostly party officers, sneaks, but also regular citizens with a conformist attitude towards the socialist reality. The films produced since the mid 1990s, usually as comedies, psychological dramas or detective stories, reveal symptoms of “nostalgia”, that is longing for stability and prosperity in East Germany.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo-Drukarnia Bonami/Pracownia Komparatystyki Literackiej IFP UAMpl_PL
dc.subjectOstalgiapl_PL
dc.subjectTransformacjapl_PL
dc.subjectKino niemieckie po roku 1989pl_PL
dc.titleO przezwyciężaniu socjalistycznej przeszłości NRD oraz "przełomu" w filmie niemieckimpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Porównania, 2007, nr 4

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