Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11549
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dc.contributor.authorKolanović, Maša-
dc.date.accessioned2014-09-23T08:54:26Z-
dc.date.available2014-09-23T08:54:26Z-
dc.date.issued2014-
dc.identifier.citationPoznańskie Studia Slawistyczne, 2014, nr 6, s.129–144pl_PL
dc.identifier.isbn978-83-63795-51-1-
dc.identifier.issn2084-3011-
dc.identifier.urihttp://hdl.handle.net/10593/11549-
dc.description.abstractThe main thesis of the paper implies the historically changeable characteristics of symbolical resistance in the texts of „jeans prose” (Flaker). Using jeans as a symbol of global popular culture, freedom, casualness, the American lifestyle, resistance to forms, rules, and high culture etc., jeans prose had its specific life in Yugoslav socialism which dynamically changed during the last three decades of socialist Yugoslavia. In the early sixties it was a symbolic place of critique of dominant socialist ideology and in later period, in a more commercial orientated Yugoslav society when jeans as commodity became a part of everyday life, jeans prose lost its primal rebel energy and malted into the culutral mainstream.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Nauka i Innowacjepl_PL
dc.subjectjeans prosepl_PL
dc.subjectresistancepl_PL
dc.subjectpopular culturepl_PL
dc.subjectYugoslav socialismpl_PL
dc.titleDosezi i granice simboličkog otpora. „Proza u trapericama” u kontekstu jugoslavenskog socijalizmapl_PL
dc.title.alternativeReaches and Limits of the Symbolic Resistance. „Jeans Prose” in the Context of Yugoslav Socialismpl_PL
dc.typeArtykułpl_PL
dc.identifier.doi10.14746/pss.2014.6.9-
dc.description.number6pl_PL
dc.description.pageof129pl_PL
dc.description.pageto144pl_PL
dc.description.articlenumber9pl_PL
dc.description.journaltitlePoznańskie Studia Slawistycznepl_PL
Appears in Collections:Poznańskie Studia Slawistyczne, 2014, nr 6

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