Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11553
Title: „Ispisati istinu umjesto povijesti” (otpor ideološkom u izboru hrvatskih drama iz druge polovice XX. st.)
Other Titles: „Writing the Truth Instead of History”: Resistance to Ideology in some Croatian Plays in the Second Half of the 20 th Century
Authors: Peričić, Helena
Keywords: playwriting
typology of texts
Croatia
Yugoslavia
second half of the 20 th century
ideology
politics
existential harassment of authors
Issue Date: 2014
Publisher: Wydawnictwo Nauka i Innowacje
Citation: Poznańskie Studia Slawistyczne, 2014, nr 6, s.185–204
Abstract: In this paper the authoress refers to examples from the period between the 60s and the beginning of the 90s of the 20 th century in Croatia which best illustrate not only the playwriting but also the lethalness of the act through mostly political drama typical of the period in question. At the time, the theatre was more often than not „the only space in which people were allowed to think and talk politically” (B. Senker). The paper discusses the following dramas: Perković’s Closed Afternoon(1966), Šoljan’s Diocletian’s Palace(1969), Kušan’s The End of Freedom(1971), Marović’s Antigona, the Queen of Thebes, and Themistocles (both from the early 1980s), and Brešan’s Julius Caesar (1994; publ. 1997). Dramatic literature and the theatre of these decades did not only reflect the happenings in Croatia within the former Yugoslav state; many of the above and other authors paid for their courage to write these texts with being passed over in silence, and with intellectual, political and existential harassment.
URI: http://hdl.handle.net/10593/11553
DOI: 10.14746/pss.2014.6.13
ISBN: 978-83-63795-51-1
ISSN: 2084-3011
Appears in Collections:Poznańskie Studia Slawistyczne, 2014, nr 6

Files in This Item:
File Description SizeFormat 
Pericic.pdf644.2 kBAdobe PDFView/Open
Show full item record



Items in AMUR are protected by copyright, with all rights reserved, unless otherwise indicated.