Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11987
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dc.contributor.authorJukić, Sanja-
dc.date.accessioned2014-10-28T09:23:45Z-
dc.date.available2014-10-28T09:23:45Z-
dc.date.issued2014-
dc.identifier.citationPoznańskie Studia Slawistyczne, 2014, nr 7, s.119–128pl_PL
dc.identifier.isbn978-83-63795-79-5-
dc.identifier.issn2084-3011-
dc.identifier.urihttp://hdl.handle.net/10593/11987-
dc.description.abstractThe paper aims to show that the lyrical subject of Matošʼs poetry is indeed a media hybrid structure. This subject usually identifies with the signifiers of other artistic media, such as the theater, dance, music, painting, fashion and architecture. Therefor, Matoš’s lyrical subject reveals itself as a media hybrid being, which is defined by both time and culture.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Nauka i Innowacjepl_PL
dc.subjectintermedial sensitivitypl_PL
dc.subjectpoetic subjectpl_PL
dc.subjectcultural construction of the subjectpl_PL
dc.subjectsymbolismpl_PL
dc.subjectmodernismpl_PL
dc.subjectartismpl_PL
dc.title„Intermedijalna osjetljivost” poezije Antuna Gustava Matoša, perspektiva lirskog subjektapl_PL
dc.title.alternative„Intermedial Sensitivity” of Antun Gustav Matoš’s Poetry, the Perspective of the Lyrical Subjectpl_PL
dc.typeArtykułpl_PL
dc.identifier.doi10.14746/pss.2014.7.9-
dc.description.number7pl_PL
dc.description.pageof119pl_PL
dc.description.pageto128pl_PL
dc.description.articlenumber9pl_PL
dc.description.journaltitlePoznańskie Studia Slawistycznepl_PL
Appears in Collections:Poznańskie Studia Slawistyczne, 2014, nr 7

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