Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/13963
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dc.contributor.authorHauptman-Fischer, Ewa-
dc.date.accessioned2015-10-26T08:33:24Z-
dc.date.available2015-10-26T08:33:24Z-
dc.date.issued2012-
dc.identifier.citationInterdisciplinary Studies in Musicology 11, 2012, pp. 155-167pl_PL
dc.identifier.issn1734-2406-
dc.identifier.urihttp://hdl.handle.net/10593/13963-
dc.description.abstractFather Pius Hancke’s music collection includes numerous pieces written for harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. Hancke expanded it throughout his life and took it with him when moving home. He spent the last thirty years of his life in the Dominican monastery in Nysa. Music for the liturgy contained in his collection (masses, litanies) was certainly used there and is currently the only testimony of that monastery’s musical culture. Besides liturgical compositions, Hancke’s collection includes a number of instrumental pieces for harp with the accompaniment of other instruments and contrafacta of operatic arias. The latter often include parts arranged for harp, probably by Hancke himself. The scriptors’ names link this collection to a unique manuscript containing a Credo ascribed to Antonio Vivaldi.pl_PL
dc.language.isoenpl_PL
dc.publisherKatedra Muzykologii, Wydawnictwo Naukowe PTPN, Wydawnictwo Naukowe UAMpl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.subjectNysapl_PL
dc.subjectAntonio Vivaldipl_PL
dc.subjectPius Hanckepl_PL
dc.subjectDominicanspl_PL
dc.subjectharppl_PL
dc.titleThe mysterious provenance and uncommon repertoire of the music collection belonging to the Dominican Pius Hanckepl_PL
dc.typeArtykułpl_PL
Appears in Collections:Interdisciplinary Studies in Musicology, 2012

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