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dc.contributor.authorPiotrowska, Anna G.-
dc.identifier.citationInterdisciplinary Studies in Musicology 13, 2013, pp. 127-140pl_PL
dc.description.abstractThe article attempts to shed light on Liszt’s connections with so called Gypsy music, with particular emphasis on the sources and manifestations of the composer’s interest in the subject. The paper also shows the eff ects of Liszt’s thought on his academic successors. Liszt’s fascination with Gypsy music and culture is discussed by outlining his childhood memories as well as indicating numerous personal contacts he had with renowned Gypsy musicians. The author of the paper also links Liszt’s enchantment with Gypsy culture with his readiness to identify his travelling virtuoso status with that of a Gypsy-wanderer. Special attention in the article is put on Liszt’s book Des Bohémiens et de leur musique en Hongrie (1859). The author of the article claims that Liszt’s cosmopolitanism may be a key factor while explaining the composer’s predilection to Gypsy culture and music. While focusing on the reception of Liszt’s views on so called Gypsy music by the posterity Bartók’s interpretation of Liszt’s ideas is reminded. Discussed are also their repercussions in the second half of the twentieth century and early twenty fi rst century.pl_PL
dc.publisherKatedra Muzykologii, Wydawnictwo Naukowe PTPN, Wydawnictwo Naukowe UAMpl_PL
dc.subjectFranz Lisztpl_PL
dc.subjectGypsy musicpl_PL
dc.subjectHungarian musicpl_PL
dc.subjectnational musicpl_PL
dc.subjectBéla Bartókpl_PL
dc.titleLiszt and the issue of so called Gypsy musicpl_PL
Appears in Collections:Interdisciplinary Studies in Musicology, 2013

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