Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/14099
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dc.contributor.authorPoprawa, Adam-
dc.date.accessioned2015-12-28T09:24:28Z-
dc.date.available2015-12-28T09:24:28Z-
dc.date.issued2013-
dc.identifier.citationInterdisciplinary Studies in Musicology 13, 2013, pp. 183-188pl_PL
dc.identifier.issn1734-2406-
dc.identifier.urihttp://hdl.handle.net/10593/14099-
dc.description.abstractIn recent years, artistic projects combining a wide array of musical styles, such as jazz interpretations of classical music or orchestral arrangements of rock songs, have enjoyed considerable popularity. As their authors were focused mainly on sales profi ts, the artistic value of their works was often highly disputable. Nevertheless, some outstanding achievements in that fi eld have also been made, among them reinterpretations of classical repertoire – Bach, Beethoven, Mozart, Schumann, and, above all, Mahler – by American pianist Uri Caine. He recorded several CDs containing new versions of Mahler’s entire works or their excerpts. Sometimes Caine’s music moves far away from the originals, though such artistic experiments are always well-grounded and aesthetically convincing. Caine’s reinterpretations of Mahler have also some (auto)biographical overtones.pl_PL
dc.language.isoenpl_PL
dc.publisherKatedra Muzykologii, Wydawnictwo Naukowe PTPN, Wydawnictwo Naukowe UAMpl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.subjectUri Cainepl_PL
dc.subjectblurred genrespl_PL
dc.subjectreinterpretationpl_PL
dc.subjectJewish cultural traditionpl_PL
dc.titleSlash. Uri Caine’s Mahlerpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Interdisciplinary Studies in Musicology, 2013

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