Znaki misterium w liryku Zbigniewa Herberta pt. U wrót doliny
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Date
2011
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Wydawnictwo Naukowe UAM
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The signs of mystery play in the lyric At the Gate of the Valley by Zbigniew Herbert
Abstract
A superior aim of the article was to prove that Zbigniew Herbert’s lyrical works in an unusually
clear way gravitate towards drama and theatre. To prove this, the author of the thesis revealed the
relationship between the, coming from the volume Hermes, Dog and the Star, lyric At the Gate of
the Valley and a mystery play which should be understood not only as a medieval variant of religious
drama but also more widely that is in terms of outlook or as an anthropological, historiosophic
or metaphoric category. The author of the article showed that for the mystery character of
the work speaks not only the subject taken from the Bible or non-Aristotelian action but also
sacred character of space-time and, above all, martyrological plot of the lyrical text, showing the
suffering of individual characters of the poem as a mirror reflection of the torment of the Saviour.
He also noticed that at the beginning of the lyric Herbert used verse which under certain conditions
may resemble medieval ways of versification, also typical of dramatic mystery forms and he
tried to prove that the author of The Report from a Besieged City, composing his mini drama, used
also a film way of watching the stage and the events happening on it.
Setting about revealing the relationships between the above-mentioned lyric and a mystery play,
the author of the article first showed these signs which indicate the dramatic and theatrical provenance
of the poem. He proved that the lyrical subject resigned from the direct characterization of
the depicted world and let speak specific stage characters using different forms of dialogue. He
showed that the author constructed the statements of individual characters in such a way as to
overload them with the surplus of information, typical of stage dialogues. He also proved that the
events that the reader follows from the position of the spectator, take place in a specific scenery
and the dramatis personae not only have clear psychological construction but they also, as it is
proper for the show, use a variety of visual and acoustic signs concerning both the performer and
the space. The author of the article deeply hopes that with his thesis he will contribute to enriching
traditional analysis of Zbigniew Herbert’s lyrics with such ways of reading that let notice dramatic
and theatrical character of his poems.
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Citation
Przestrzenie Teorii, nr 15, 2011, s.185-197
ISBN
ISBN 978-83-232-2293-4