Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/2090
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dc.contributor.authorMarzec, Lucyna-
dc.date.accessioned2012-02-14T20:16:18Z-
dc.date.available2012-02-14T20:16:18Z-
dc.date.issued2011-
dc.identifier.citationPrzestrzenie Teorii, nr 16, 2011, str. 81-95pl_PL
dc.identifier.isbn978-83-232-2337-5-
dc.identifier.issn1644-6763-
dc.identifier.urihttp://hdl.handle.net/10593/2090-
dc.description.abstractThe article treats the aquatic imagination of Zofia Nałkowska in her early and late works. The matter of water is in Nałkowska’s writing strongly connected with an image of women, but, as the author claims, not in the way Gaston Bachelard pointed out in his works. Nałkowska throughout her writing attemped to re-think and re-write the Ophelia complex (or the Ophelia myth), indicating cultural and social aspects of women’s choices. The more adequate theory describing women’s relation with water is the one proposed in Luce Irigaray’s essays.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAM w Poznaniupl_PL
dc.titleWody Zofii Nałkowskiejpl_PL
dc.title.alternativeWaters of Zofia Nałkowskapl_PL
dc.typeKsiążkapl_PL
Appears in Collections:Przestrzenie Teorii, 2011, nr 16

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