Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/2094
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dc.contributor.authorMulet, Katarzyna-
dc.date.accessioned2012-02-14T20:29:12Z-
dc.date.available2012-02-14T20:29:12Z-
dc.date.issued2011-
dc.identifier.citationPrzestrzenie Teorii, nr 16, 2011, str. 157-177pl_PL
dc.identifier.isbn978-83-232-2337-5-
dc.identifier.issn1644-6763-
dc.identifier.urihttp://hdl.handle.net/10593/2094-
dc.description.abstractThe article is an attempt at a new reading of Stanisław Barańczak’s poetry by using Charles Mauron’s psychocritical method. Four volumes of poems are subjected to analysis, in which the writer’s obsessive metaphors are extracted, allowing the unveiling of his personal myth. It turns out that the romantic hero complex is underlying this myth, that defines the poet’s way of expression of traumatic experiences from his life. Then, the way of recording of such experiences as enslavement by the totalitarian system, alienation in exile, or Parkinson’s disease, is interpreted according to Hanna Segal’s psychoanalytic theory. Barańczak’s writing is gaining then the title of reparation, it becomes a way to recover lost objects from the past by the writer: freedom, stabilization, health, but also the past time, places, events and people.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAM w Poznaniupl_PL
dc.titleAnaliza psychokrytyczna poezji Stanisława Barańczakapl_PL
dc.title.alternativePsychocritical analysis of Stanisław Barańczak’s poetrypl_PL
dc.typeKsiążkapl_PL
Appears in Collections:Przestrzenie Teorii, 2011, nr 16

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