Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/2547
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dc.contributor.authorFirlej, Agnieszka-
dc.date.accessioned2012-05-31T07:43:26Z-
dc.date.available2012-05-31T07:43:26Z-
dc.date.issued2012-05-31T07:43:26Z-
dc.identifier.isbn978-83-232-2145-6-
dc.identifier.issn0137-2475-
dc.identifier.urihttp://hdl.handle.net/10593/2547-
dc.description.abstractThe paper aims to present pulp as one of the main genres of contemporary Italian literature. This extreme kind of noir was born in the 1990s and immediately gained popularity among readers and caused controversy amid critics: from high and flattering opinions to complete rejection. The author examines the origin of the genre and the story of its development in Italy. She also describes the distinctive qualities of this kind of literature such as dark topics, eclectic form and mixture of languages. In addition, the paper shows various visions of pulp represented by different groups of authors: a serious and uncompromising or a light and amusing way of depicting the violence, inherited from Quentin Tarantino.pl_PL
dc.language.isoitpl_PL
dc.subjectnoirpl_PL
dc.subjectliterary genrepl_PL
dc.subjectpulp literaturepl_PL
dc.subjectcontroversiespl_PL
dc.titleLa letteratura “pulp” ossia “Giovani cannibali”, il “Neonoir”, la “Scuola dei Duri” o il “Gruppo 13”? Le polemiche sui confini del nuovo genere letterariopl_PL
dc.typeArtykułpl_PL
Appears in Collections:Studia Romanica Posnaniensia, 2010, vol. 37, nr 1

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