Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/25577
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dc.contributor.authorJelewska, Agnieszka-
dc.contributor.authorKrawczak, Michał-
dc.date.accessioned2020-04-22T19:53:30Z-
dc.date.available2020-04-22T19:53:30Z-
dc.date.issued2019-
dc.identifier.citationVideo Remediations: From Transmission Medium to Data Landscape. Three Phases of Video Remediations, in: Remediation: Crossing Disursive Boundaries. Central European Perspective, ed. B. Suwara, M. Pisarski, ISSN 2195-1845, ISBN 978-3-631-79504-0, Peter Lang - Veda, Berlin 2019, pp. 113-127.pl
dc.identifier.isbn978-3-631-79504-0-
dc.identifier.issn2195-1845-
dc.identifier.urihttp://hdl.handle.net/10593/25577-
dc.description.abstractThe chapter reflects on the impact of video and video art from the 1960s on contemporary art forms a cultural paradigm of dynamic reality. Originally, the video format was remediating the reality of TV and film production and initiating a democratization of the medium, till the 1990s and further, when video, we argue, started a revolution that emancipated digital devices after which they themselves became a part of a digital world in which we live in. From then on remediations happen not only within the media, but also on a deeper, interconnected levels of digital reality. If one cannot talk about mediations without remediations, then every mediation is always already remediating the mediated world.pl
dc.language.isoengpl
dc.publisherPeter Lang - Vedapl
dc.rightsinfo:eu-repo/semantics/openAccesspl
dc.subjectremediationpl
dc.subjectmedia studiespl
dc.subjectvideo culturepl
dc.subjectdigital mediapl
dc.subjecttransmission mediapl
dc.subjectmedia artpl
dc.subjectinteractive mediapl
dc.titleVideo-Remediations: From Transmission Medium to Data Landscape. Three Phases of Video-Remediationspl
dc.typeArtykułpl
dc.typeRozdział z książkipl
Appears in Collections:Książki/rozdziały (WAiK)

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