Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3219
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dc.contributor.authorEmeis, Harald-
dc.date.accessioned2012-08-20T07:29:43Z-
dc.date.available2012-08-20T07:29:43Z-
dc.date.issued2003-
dc.identifier.citationStudia Romanica Posnaniensia, 2003, vol. 30, pp. 177-188pl_PL
dc.identifier.isbn83-232-1270-8-
dc.identifier.issn0137-2475-
dc.identifier.urihttp://hdl.handle.net/10593/3219-
dc.description.abstractThe article deals with the ways in which Roger Martin du Gard, makes use of elements drawn from other fields of artistic activity such as sculpture, painting, music, dance, and cinema, in his writings. The object of this paper is an analysis of the novelist's purpose and of the effect that the technique in question has on the reader.pl_PL
dc.language.isofrpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectGard du, Roger Martinpl_PL
dc.titleInterférences artistiques dans l'æuvre de Roger Martin du Gardpl_PL
dc.title.alternativeThe intermingling of artistic elements in the writings of Roger Martin du Gardpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Studia Romanica Posnaniensia, 2003, vol. 30

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