Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3221
Title: La crítica ideológica como risa en «Figuraciones en el mes de marzo» de Emilio Díaz Valcárcel
Other Titles: The ideological criticism as laugh in "Figuraciones en el mes de marzo" by Emilio Díaz Valcárcel
Authors: Sotomayor Parrilla, Eduardo Enrigue
Keywords: Figuraciones en el mes de marzo
Valcárcel Emilio Díaz
Issue Date: 2003
Publisher: Wydawnictwo Naukowe UAM
Citation: Studia Romanica Posnaniensia, 2003, vol. 30, pp. 209-217
Abstract: The aim of this paper is to prove the underlying relation between laugh and the ideological criticism in the novel "Figuraciones en el mes de marzo" by a Puerto Rican writer, Emilio Díaz Valcárcel. The author explains the way of understanding the key words of laugh and ideological criticism. The attention of a leader should be attracted to three lines in the analysis of the novel of question. With these three aspects together, in the ideological project of the novel is given the deeply innovatory significance for a literary, of the necessity of the national liberation for shaping the common collective destiny in the specific case of Puerto Rico. Discussing two of them - 1) the particularly humoristic-satirical tone which fluctuates between the subtle irony and the effect of laugh, 2) the "collage" organization of the novel, the author comes to the third - showing, the high ideological commitment of the writer with the process of independence of Puerto Rico within the space of the beginning of the seventies, he draws his final conclusions about the profound democratic and critical meaning of humour and laugh as the source of the symbolic liberation.
URI: http://hdl.handle.net/10593/3221
ISBN: 83-232-1270-8
ISSN: 0137-2475
Appears in Collections:Studia Romanica Posnaniensia, 2003, vol. 30

Files in This Item:
File Description SizeFormat 
18_Eduardo_Enrique_Parrilla_Sotomayor_La_critica_ideologica_209-217.PDF390.17 kBAdobe PDFView/Open
Show full item record



Items in AMUR are protected by copyright, with all rights reserved, unless otherwise indicated.