Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3431
Title: Pętla obrazów. Wideo według Mariny Abramović
Authors: Krawczak, Michał
Keywords: Performance art
Video art
Iconography
Video loop
Installation art
Photography
Issue Date: 2010
Publisher: Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi
Citation: "Images" 2009, nr 13-14 (vol. 7), pp. 235-241
Abstract: The connection between video art and performance art has been inseparable since 1967, when the first commercial camera Sony Portapak appeared on the American market. The development of video art and performance art has been parallel. On the one hand, autonomous languages which used different discourses were created, on the other hand, the interaction was inextricable, long-lasting and very stimulating. Marina Abramović, recording her activities as a performer on video and then placing them in the space of her installations, gained a high level of energy in the picture, which became transcendent, a sign of body and life, a meditation. Abramović consciously sacralizes her art and highlights its meditational character. In that way the art became a loop of a video sequence, a multifaceted icon.
URI: http://hdl.handle.net/10593/3431
ISSN: 1731-450X
Appears in Collections:Images, nr 13-14, 2009-2010

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