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dc.contributor.authorŠeatović-Dimitrijević, Svetlana-
dc.date.accessioned2012-11-06T10:20:45Z-
dc.date.available2012-11-06T10:20:45Z-
dc.date.issued2011-
dc.identifier.citationPoznańskie Studia Slawistyczne, 2011, nr 1, s.257–273pl_PL
dc.identifier.issn2084-3011-
dc.identifier.urihttp://hdl.handle.net/10593/3647-
dc.description.abstractThe pathetic or melancholy tone of Serbian Romanticism was quite unacceptable for modern poets who preferred irony, oxymoron, contrast, and a disharmonic world image. In the poetry of Stevan Raičković and Desanka Maksimović, connected by certain poetic affinities, we find a distinct lyrical overtone and an orientation towards a simple, mythopoeic world image, inspired by the heritage of Serbian Romanticism. In Serbian Romanticism, poetry had a populist role and that sort of function did not quite correspond to the functions of post-war poetry. After the war, poetry was marked by a struggle for poetic freedom or cautious efforts on the social and political level in poetry of Vasko Popa, Ivan V. Lalic and Ljubomir Simovic. Contemporary poetry did not relinquish that task, but its poetic language is more nuanced, more delicate, freed from the vocabulary and the rhetoric of oral poetry, as well as from its pathetic-melancholy tone.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Rys (nr 1)pl_PL
dc.subjectSerbian modern poetrypl_PL
dc.subjectSerbian Romanticismpl_PL
dc.subjectPoetic languagepl_PL
dc.subjectLiterary traditionpl_PL
dc.subjectNeoromanticismpl_PL
dc.titleThe Romantic poets and Post-War Serbian poetrypl_PL
dc.typeArtykułpl_PL
Appears in Collections:Poznańskie Studia Slawistyczne, 2011, nr 1

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