Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3716
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dc.contributor.authorJukić, Tatjana-
dc.date.accessioned2012-11-12T12:15:41Z-
dc.date.available2012-11-12T12:15:41Z-
dc.date.issued2012-
dc.identifier.citationPoznańskie Studia Slawistyczne, 2012, nr 2, s.189–211pl_PL
dc.identifier.isbn978-83-232-2409-9-
dc.identifier.issn2084-3011-
dc.identifier.urihttp://hdl.handle.net/10593/3716-
dc.description.abstractGiven the prominent position in the Croatian cultural imagination of Vlaho Bukovac’s 1895 painting of the Illyrian Movement, this article argues that the later accounts of early to mid- 19th-century Illyrian politics and literature remain contaminated, and structurally so, by Bukovac’s treatment of the visual. This visual contaminant then points to more general political and cultural practices in Austria-Hungary at the time, including psychoanalysis, not least where psychoanalysis addresses the scope of image and the phantasmatic. Analyzing three paintings where Bukovac takes up the subject of literature cum the phantasmatic alongside Freud’s 1908 study of „Der Dichter und das Phantasieren”, I propose that in both literature serves to indicate the political logic of metonymy or the metonymic logic of the political; furthermore, I show that Freud, unlike Bukovac, fails to sustain this logic precisely in places where he sets out to classify wishes.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectIllyrian movementpl_PL
dc.subjectPsychoanalysispl_PL
dc.subjectMetonymypl_PL
dc.subjectPaintingpl_PL
dc.subjectLiteraturepl_PL
dc.titleIlirizam i tumačenje snova: Gundulići Vlaha Bukovcapl_PL
dc.title.alternativeIllyrian movement and the interpretation of dreams: Ivan Gundulić in the paintings of Vlaho Bukovacpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Poznańskie Studia Slawistyczne, 2012, nr 2

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