Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3718
Title: "Brzoza" – filmowy "Gesamtkunstwerk" Ante Babai
Other Titles: "The Birch Tree" – Ante Babaja’s film "Gesamtkunstwerk"
Authors: Pająk, Patrycjusz
Keywords: Babaja
Croatian film
Gesamtkunstwerk
Naturalism
Modernism
Issue Date: 2012
Publisher: Wydawnictwo Naukowe UAM
Citation: Poznańskie Studia Slawistyczne, 2012, nr 2, s.213–230
Abstract: The Birch Tree (1967), directed by Ante Babaja, is one of the most outstanding achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko Kolar’s rural prose, naive paintings by artists from Hlebine and north Croatian folk rites and songs. In this film, Babaja presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material and inert nature. The Birch Tree is also an example of a film Gesamtkunstwerk that combines notonly the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk.
URI: http://hdl.handle.net/10593/3718
ISBN: 978-83-232-2409-9
ISSN: 2084-3011
Appears in Collections:Poznańskie Studia Slawistyczne, 2012, nr 2

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