Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3720
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dc.contributor.authorStojanovik', Lidija-
dc.date.accessioned2012-11-12T12:20:01Z-
dc.date.available2012-11-12T12:20:01Z-
dc.date.issued2012-
dc.identifier.citationPoznańskie Studia Slawistyczne, 2012, nr 2, s.279–312pl_PL
dc.identifier.isbn978-83-232-2409-9-
dc.identifier.issn2084-3011-
dc.identifier.urihttp://hdl.handle.net/10593/3720-
dc.description.abstractThe aim of this article is to present how oral biography and photo-interviews are intertwined. In this sense, it is very important to illustrate the various methods of photo fieldwork, and also to highlight theoretical concepts (such as those of Panofsky, Collier and Barthes) in order to discover photo-analysis, the relation between oral and visual memory, and the phenomenological play between stadium and punctum. These principles are very important and useful in contemporary folklore studies.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectPhotographypl_PL
dc.subjectVisual folklorepl_PL
dc.subjectNarrativepl_PL
dc.subjectStudiumpl_PL
dc.subjectPunctumpl_PL
dc.subjectParticipantpl_PL
dc.subjectPhotoobservationpl_PL
dc.subjectFotointerviewpl_PL
dc.titleVisual folklore: relation between oral and visual memorypl_PL
dc.typeArtykułpl_PL
Appears in Collections:Poznańskie Studia Slawistyczne, 2012, nr 2

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