„Cinemagraphs” Jamie Beck w kontekście dramatycznej teorii literatury
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Date
2012
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Wydawnictwo Naukowe UAM w Poznaniu
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Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
Abstract
The purpose of this article is to present works of a New York photographer Jamie Beck, who
developed a new type of moving photography – cinemagraphs, and look at her work from the
perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions
related to the visual realm. Movement and time relationship, the model identity and the impact
of material on the image perception are the most interesting problems, that are connected with
cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André
Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi-
Huberman and Rudolf Arnheim’s “the psychology of creative eye”.
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Citation
Przestrzenie Teorii, nr 17, 2012, str. 89-103
ISBN
978-83-232-2449-5