Niebieska jak niebo, biała jak wapno, czerwona jak krew. Cała prawda o Rewolucji Francuskiej... na podstawie filmu Danton w reżyserii Andrzeja Wajdy
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2012
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza
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Abstract
This article was written on the basis of Robert Darnton’s article entitled Film: Danton and Double
Entendre which is a review of Wajda’s film Danton. The author of the text below tries to show the
main problems regarding this film’s interpretation both in Poland and France, including the cultural
and historical differences varying the scope of the mentioned.
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Człowiek i Społeczeństwo, 34/2012, s.164-176