Особенности поэтики киноромана: проблема перекодирования текста
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Date
2012
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
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The peculiarities of movie novel poetics: the problem of text conversion
Właściwości poetyki kinopowieści: problem przekomponowania tekstu
Właściwości poetyki kinopowieści: problem przekomponowania tekstu
Abstract
While studying a movie novel, one receives the opportunity of tracing the reverse
process: the process of the “text on the screen” being turned into the “text on paper”. This seems
to become even more interesting considering the fact that cinema is a synthetic art form, where
the patterns which affect all the senses of perception are used to create the audio-visual image.
When it comes to words, naturally, in the cinema one mostly hears them. The word is, of course,
one of the most important means of transferring information, yet not the principal one. In this way
literature is entirely different from cinema, as it uses only one way of transferring information
(visual – if it is a paper-based book, and auditory – in case one is dealing with an audio-version).
Consequently, the process of making a movie novel is connected with converting information
from one form into the other. In addition, there is the question about the peculiarities
of movie novel poetics considering the fact that the general contents are known to the recipient
and, what is more, were perceived with the help of the other senses.
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Citation
Studia Rossica Posnaniensia, Nr 37 (2012), pp. 163-174
ISBN
978-83-232-2519-5