Dekonstrukcja jako problem estetyki (na przykładzie dramatycznego dyskursu Jacques'a Derridy)
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Date
2006
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Wydawnictwo Naukowe UAM
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Deconstruction as a problem of aesthetics (on the example of Jacques Derrida's dramatic discourse)
Abstract
In this article the Author shows that J. Derrida's discourse is of a dramatic character. The model
which he adopts is the model of a drama. The vision of philosophy, literature and art is connected
in Derrida with thinking, which in its basis is of theatrical character. The philosopher often
reaches for the concepts connected with dialogue, agon, theatre, stage, drama recalls various
theatrical conventions from Rousseau to Artaud. Deconstruction produces concepts which, acting
in the text, provoke in it transformations, destructions and dislocations. Deconstruction means
activity, is dynamic and dramatic, creates a peculiar scene referring to the metaphor of the theatre
and directs the spectator's attention onto the artistic imagination which creates this scene.
Questioning of thinking in binary categories, projecting dramatic modality which suspends frameworks,
construction of a sphere between fiction and reality produces a specific epistemological
matrix, which reduces the figure of an observer for the sake of a performing actor. Deconstruction
suspends aesthetics based on the category of a masterpiece, develops a new aesthetics, the
subject of reference of which is an event, constructs a performative aesthetics connected with the
drama.
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Citation
Przestrzenie Teorii, nr 6, 2006, s. 19-29
ISBN
978-83-232-2077-0