Doda-Wyszyńska, Agnieszka2013-06-062013-06-062012Studia Kulturoznawcze, 2012, nr 1(2), s. 73-81.2084-2988http://hdl.handle.net/10593/6440An article analyses a film Breaking the Waves by Lars von Trier in a context of Niclas Luhmann’s semantics of love. According to Luhmann sexuality and intimacy stays in a omitted within frames of existing social order. The author considers also the significance of self-sacrifice in the light of Christianity and romanticism.plseksualnośćmoralnośćmoralność chrześcijańskasemantyka miłościLars von TrierArtykuł