Wiegandt, Ewa2014-12-152014-12-152013Poznańskie Studia Polonistyczne. Seria Literacka, 2013, nr 22, s. 143-1561233-8680http://hdl.handle.net/10593/12363The article analyses and interprets "Włoskie szpilki" [Italian High Heels] in the context of autobiographic writing, which is a new phenomenon in Tulli’s creative development. The analysis of autobiographical writing consists in a description of subject-construction. The construction is determined by combination of roles: the real author, the literary author, and the narrator-character. The style of the novel is characterized by the use of Holocaust topoi, and “March talk”, which leads the writer to the discovery that Polish post-war antisemitism castigates Jews for concealing their extraction. The aesthetic of postmemory, manifested in the novel, is interpreted as a transition from the modern rhetoric of inexpressibility and unutterableness, to the postmodern aesthetic of expression of what is absent.plMagdalena Tulliautobiographical writingHolocaustPolish antisemitismArtykuł