Ikoniczność i ucieczka od referencji (na przykładzie filmów Zbigniewa Rybczyńskiego)
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Date
2009
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Wydawnictwo Naukowe UAM
Title alternative
Iconicity and escape from reference
Abstract
The concept of reference comprises three different ways of expressing reality: simulation, representation
and transformation, and it is just from this point of view that I analyse Rybczynski's
films from the years 1976-1990.
Rybczyński was always against registration of reality and wants to present on the screen "mental
pictures", i.e. that which exists in our thoughts, fantasies and dreams. He submits reality to grotesque
deformation (Święto [Holiday], 1976), destroys iconicity of the text through playful metaphor
(Lokomotywa (Locomotive) based on J. Tuwim's poem, 1976), creates on the screen surreal
situations (Tango, 1980) and shows transformation of people and things (The Fourth Dimension,
1998). However, "mental pictures" also contain conventional cultural symbols, which are
distinctly shown in Orchestra (1990). Therefore, lifting references leads into the world of signs
and signs refer to the social experience, history and European culture. Through signs we reverse
to the representation of reality.
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Citation
Przestrzenie Teorii, nr 11, 2009, s. 9-23.
ISBN
978-83-232-1986-6