„Podsłuchać muzyczny motyw”. O cyklu muzyczno-poetyckim na przykładzie Muzyki wieczorem Jarosława Iwaszkiewicza

dc.contributor.authorReimann, Aleksandra
dc.date.accessioned2012-01-25T11:36:35Z
dc.date.available2012-01-25T11:36:35Z
dc.date.issued2011
dc.description.abstractThe article compares the cyclic form in music with the poetic cycle. The analytico-interpretational identifying of two sub-cycles: “Music for quartet” and “Music for orchestra”, which make up the volume, helped to formulate the interdisciplinary proposition of terminology: the music-poetic cycle, which in literature also implies musical order. A reading dictated by musical expectations towards the verses touches upon many issues, such as song forms (AB, but also Lied), dynamics, intonation, phonemic assembly, the occurrence of motifs. Texts, which usually have musical titles allow comparative interpretations. The volume on poetry by Iwaszkiewicz is an example of music-literary complementarity, which must be respected, if the cycle is to be understood fully.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 15, 2011, s. 199-228pl_PL
dc.identifier.isbnISBN 978-83-232-2293-4
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/1868
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.title„Podsłuchać muzyczny motyw”. O cyklu muzyczno-poetyckim na przykładzie Muzyki wieczorem Jarosława Iwaszkiewiczapl_PL
dc.title.alternative”Overhear the musical motif”. About a music-poetic cycle on the example of Music in the evening by Jarosław Iwaszkiewicz
dc.typeKsiążkapl_PL

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