Intermediality in Macedonian theatre

dc.contributor.authorPetrovska-Kuzmanova, Katerina
dc.date.accessioned2012-11-12T12:17:03Z
dc.date.available2012-11-12T12:17:03Z
dc.date.issued2012
dc.description.abstractIn the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an attempt is made at representing intermediality in theatrical performance. It is achieved through a ready-made technique in which a significant role is played by the music group Foltin and their performance. They use various props, which they turn into their instruments. This leads to their actualization through dedication to their essence. In this way, the old forms and elements of the traditional folk culture cross the bounds of time, reading the folklore signs in the style of the postmodern scene expressions.pl_PL
dc.identifier.citationPoznańskie Studia Slawistyczne, 2012, nr 2, s.251–260pl_PL
dc.identifier.isbn978-83-232-2409-9
dc.identifier.issn2084-3011
dc.identifier.urihttp://hdl.handle.net/10593/3717
dc.language.isootherpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectIntermedialitypl_PL
dc.subjectPerformancepl_PL
dc.subjectPostmodernpl_PL
dc.subjectReady-madepl_PL
dc.subjectTheatrepl_PL
dc.subjectDramapl_PL
dc.subjectFolklorepl_PL
dc.titleIntermediality in Macedonian theatrepl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego