Do granic tożsamości. O portretach zdwojonych Stanisława Wyspiańskiego

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dc.contributor.authorBałus, Wojciech
dc.date.accessioned2013-12-30T21:42:59Z
dc.date.available2013-12-30T21:42:59Z
dc.date.issued2008
dc.description.abstractThis text is devoted to double portraits of S. Wyspiański. Macierzyństwo [Motherhood], a portrait of Henryk Opieński and of Eliza Parmeńska becomes for the author an inspiration not only to speak about plastic quality of these works, but also refer to fundamental questions concerning the cognition of human psyche. They also direct the researcher's attention towards such problems as doubling, mirror reflection, or a motif of a lookalike.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 9, 2008, s. 19-28.pl_PL
dc.identifier.isbn978-83-232-1917-0
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9456
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleDo granic tożsamości. O portretach zdwojonych Stanisława Wyspiańskiegopl_PL
dc.title.alternativeTill the limits of identity. On the double portraits of Stanisław Wyspiańskipl_PL
dc.typeArtykułpl_PL

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Przestrzenie Teorii, 2008, nr 9