Browsing by Author "Jelewska, Agnieszka"
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Item Elsensee-Rusałka. Spektrokartografie środowiska(Poznańskie Studia Polonistyczne, 2021) Jelewska, Agnieszka; Krawczak, MichałItem Experimental Practices. Humanities and Arts in the Process of Constructing Knowledge for the Data-based Society(2018) Krawczak, Michał; Jelewska, AgnieszkaAccelerating progress in the development of technological tools, the achievements of the sciences, and above all the ways of collecting and modelling data, are significantly changing the mechanisms of knowledge construction. The humanities, together with related artistic-research practices, are becoming a crucial part of the process of analyzing and interpreting such data, with a focus on their social and cultural impact. Thus, the humanities have been entering into synergic relations with science and technology.Item Experimental Practices: Humanities and Arts in the Process of Modeling Knowledge for Data-Based Society(Global University Network for Innovation (GUNi), 2019-12) Jelewska, Agnieszka; Krawczak, MichałItem Symbiotic tangles(Adam Mickiewicz University Press, 2014) Jelewska, Agnieszka; Krawczak, MichałItem The difficult relations between art, science and technology in Poland(Wydawnictwo Naukowe UAM, 2014) Jelewska, Agnieszka; Krawczak, MichałItem The Spectrality of Nuclear Catastrophe: The Case of Chernobyl(2018) Krawczak, Michał; Jelewska, AgnieszkaThe paper is a presentation of our research focused on the ecological disaster caused by the explosion of the nuclear power plant reactor in Chernobyl in 1986, in terms of its social, cultural and artistic context. We apply the concepts of hyperobject (Morton) and hauntology (Derrida), and autoethnographic method (Adams, Jones, Ellis), in an attempt to reveal human and nonhuman agencies in the description of the catastrophe’s long-term cultural consequences. In the autoethnographic and investigative-artistic part of our research we analyse our interactive installation, Post-Apocalypsis (2015), but also historical facts and private narratives. The notion of hyperobject in connection with the autoethnographic methods and investigative-artistic part of our research serves to trace the process of displacing phenomena, facts and private narratives about the Chernobyl accident in the context of time and space. The concept of hauntology enabled us to go beyond the uncovering of recurring cultural, political, social micronarrations and fear about nuclear energy in Poland.Item Transmedia a sztuka Roberta Wilsona(Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi, 2010) Jelewska, AgnieszkaRobert Wilson’s works have been discussed here in the historical-artistic context of the 20th century and in reference to the modern theories of the media, which use such terms as “transmediality” and “media landscape”. The intermedial model of arts has been exhausted and there has appeared the problem of transmediality, as well as such issues like transcegenity, transinstrumentality, transperception and even transcompetence of art. Technologies which developed in the 20th century and media codes, redefined and new, provoked a change of thinking about the theatre and every other art which uses various instruments. R. Wilson – like other artists who exist in the transmedial net – sees the theatre through audiovisual arts and film; he does not introduce them to his performances but uses their tools and specific narrations characteristic for the arts.Item Video-Remediations: From Transmission Medium to Data Landscape. Three Phases of Video-Remediations(Peter Lang - Veda, 2019) Jelewska, Agnieszka; Krawczak, MichałThe chapter reflects on the impact of video and video art from the 1960s on contemporary art forms a cultural paradigm of dynamic reality. Originally, the video format was remediating the reality of TV and film production and initiating a democratization of the medium, till the 1990s and further, when video, we argue, started a revolution that emancipated digital devices after which they themselves became a part of a digital world in which we live in. From then on remediations happen not only within the media, but also on a deeper, interconnected levels of digital reality. If one cannot talk about mediations without remediations, then every mediation is always already remediating the mediated world.Item W pyle filozofii. Kiedy myśl staje się towarem(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2018) Krawczak, Michał; Jelewska, Agnieszka