Browsing by Author "Reimann, Aleksandra"
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Item Muzyczny styl odbioru – muzyczny interpretant – literacka forma muzyczna(Wydawnictwo Naukowe UAM w Poznaniu, 2012) Reimann, AleksandraThe paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical and literary dialog, which belongs to intermediality (definition by W. Wolf), and intertextuality in the large sense as well. Although the penetration of musical and literary correspondence does not threaten “scientist hysteria”, it also does not promise fruitful strategies and satisfactory conclusions. The paper includes terminological proposals which are an attempt at universal, semiotic transposition into musical and literary borderland, which in the practice of interpretation has too eclectic, and mostly one-time solutions.Item „Podsłuchać muzyczny motyw”. O cyklu muzyczno-poetyckim na przykładzie Muzyki wieczorem Jarosława Iwaszkiewicza(Wydawnictwo Naukowe UAM, 2011) Reimann, AleksandraThe article compares the cyclic form in music with the poetic cycle. The analytico-interpretational identifying of two sub-cycles: “Music for quartet” and “Music for orchestra”, which make up the volume, helped to formulate the interdisciplinary proposition of terminology: the music-poetic cycle, which in literature also implies musical order. A reading dictated by musical expectations towards the verses touches upon many issues, such as song forms (AB, but also Lied), dynamics, intonation, phonemic assembly, the occurrence of motifs. Texts, which usually have musical titles allow comparative interpretations. The volume on poetry by Iwaszkiewicz is an example of music-literary complementarity, which must be respected, if the cycle is to be understood fully.Item Tekst do słuchania (?), czyli uwagi o „muzyczności" dramatu Partita na instrument drewniany Stanisława Grochowiaka(Wydawnictwo Naukowe UAM, 2007) Reimann, AleksandraThe present article discusses the phenomenon of correspondence art in the drama of Stanisław Grochowiak. The title "A partita for a wooden instrument" is connected with musie. Therefore, it is interdisciplinary. The main question concerns the fact how musie can exist in the area of literature and how relations between the art of sounds and words influence each other.