Browsing by Author "Telicki, Marcin"
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Item „Cienie wielkich artystów” Gustaw Herling-Grudziński i dawne malarstwo europejskie(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2013) Stankowska, Agata; Śniedziewska, Magdalena; Telicki, MarcinItem Ikonoklazm i ikonofilia. Między historią a współczesnością(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2016) Stankowska, Agata; Telicki, MarcinItem Krótkie formy liryczne wobec problemów przedstawiania rzeczywistości(Wydawnictwo Naukowe UAM, 2006) Telicki, MarcinAn expression "the shortest poem" as a genre term seems to be imprecise, however, both its functioning amongst other literary forms and unstabilised boundaries of the modern genology make it that it is a necessary definition. Outstanding modern poets (Białoszewski, Miłosz, Grochowiak and others), reach for this undefined attractive form, trying to make it a key to the world (hence the problems of mimesis which are discussed in this article) and to the other world (category of transgression). What is more "the shortest poems" appear most often in their later work, and minimalisation of the form leads to condensation of meanings (like a sage, they utter fewer words, but important ones). The article is also a point of departure for the discussion on the state of modern culture and condition of man who continuously faces the same fundamental questions.Item Modalność aporetyczna. Wokół jednego wiersza Piotra Sommera(Wydawnictwo Naukowe UAM, 2013) Telicki, MarcinThe author of this article analyzes and interprets Piotr Sommer’s meta-textual poem Czym mógłby być [What could it be]. The basic critical formula of “aporetic modality” is a property of language (which is improved in the poem) that reveals the impossibility of formulating clear hypotheses about writing poetry. And so, Sommer’s poem turns out to be a specific deconstruction of a poem – by speaking the poet conveys a message about the impossibility of speaking. The assertion becomes a doubt, and the poem, understood as a structure, exposes its non-constructive, and thus, maybe, its truly lyrical faceItem „Mogę powiedzieć [...], że jednak — jestem”. Czesława Miłosza sposoby odkrywania siebie(2012) Telicki, MarcinThe article discusses the plausibility of Joanna Zach’s concept described as the “poetic of confession”. “Self discovery” is, for Miłosz, related to Romantic and early-Modernist sources of creative expression, and to poetry as a specific confession of faith. This, in turn, assumes an unending tension between biography, immersed in concrete reality, and its textual representation (the truth of life is confronted with the truth of poetry). What follows is that for Miłosz the key category is experience, suspended between history and the present, and between reality and its textual transformation.Item Świadectwo obrazu. Związki ekfrazy i pamięci w Zobaczonym Julii Hartwig(Wydawnictwo Naukowe UAM, 2009) Telicki, MarcinIn the article The evidence of the image..., the author reflects on two important problems in modern culture: considers the role of ekphrasis - the introduction of which connotes the concepts of iconicity, vividness and representation; and memory processes derived from descriptions of pieces of painting (but also views of nature). It appears that the change in time, that introduces changes to the perception, is shared by the two phenomena. Theoretical considerations are developed and legitimised by interpretations of poems from the volume Zobaczone. In her poetry, Julia Hartwig, sometimes considered as one of the Old Masters of poetry, very consistently combines interest in the visuality of the world and problems of recording continuity. Hence, it is advisable to analyse her poems as a play between the elusive image and its material evidence.Item Tadeusz Różewicz i obrazy(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2015) Stankowska, Agata; Śniedziewska, Magdalena; Telicki, MarcinItem Widzenie awangardy(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2018) Stankowska, Agata; Telicki, Marcin; Lewandowska, Agata