Browsing by Author "Trzoss, Adrian"
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Item Kobiety w cyfrowych strumieniach dziejów. Tematyka kobieca na polskich kanałach historycznych portalu YouTube(2023) Werner, Wiktor; Sypniewska, Nell; Szymczak, Zuzanna; Stachura, Maciej; Trzoss, Adrian; Stryjakowski, Adam; Staszak, Borys; Kleist, CyprianIn this article, the authors confront the thesis found in historical discourse about the dominance of male figures in historical narratives present in the public sphere. In order to do so, they analyse the new research field that is the social networking site YouTube and the most popular channels on historical topics contained therein. The main research question is whether women are marginalised in the narratives contained in the sources discussed, in which contexts they appear and what is the reception of the films in which they appear. In addition, the authors look at the question of the form of historical narratives. The study combines quantitative methods (descriptive statistics, correspondence analysis) as well as qualitative methods (Northrop Frye’s typology of story motifs. For this purpose, 551 films were analysed, which were then annotated using seven groups of tags corresponding to the content of the sources ‑ concerning the functioning of female characters and the subject matter of the films. As a result of the analyses carried out, it was observed that the thesis of the absolute dominance of male characters in historical narratives does not fully hold true under the conditions of Web 2.0 sources in terms of quantity, while in terms of content it cannot be accepted unreservedly in the context of the very diverse use of female themes in social media resources.Item Krytyka i nawiązanie. Sienkiewicz i współczesna polska literatura fantastyczna z perspektywy internetowych mediów społecznościowych.(Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Zeszyty Historyczne, 2017) Werner, Wiktor; Trzoss, AdrianCriticism and reference. Sienkiewicz and contemporary Polish fantasy literature from the perspective of web social media Summary The following paper presents the results of the analysis of the reception of Henryk Sienkiewicz works and authors of Polish contemporary fantasy from the perspective of social media. The authors of this article develop three hypothesis which are the results of their personal impressions regarding the reception of Henryk Sienkiewicz’s works. In the first hypothesis the authors assume that the writer functions in Polish culture as a sort of a classic figure and his popularity is connected with school reading list and official commemoration events. The next aspect of this paper is a consideration about knowing Sienkiewicz in indirect manner, such as from movies or video games. At last the authors bring up the issue how Henryk Sienkiewicz inspired modern authors of Polish fantasy literature, with Andrzej Sapkowski amongst them as the most popular writer. Wiktor Werner and Adrian Trzoss use statistical data from Google search engine as well as its Google trends mechanism, which shows relative interest in certain subjects in time. During their research, the authors use a dedicated computer program to scrape data from social media, such as Facebook and Youtube, and to analyse their results (correlation, trends).Item Narracje historyczne w Web 2.0 - problemy badawcze, metody historii cyfrowej i specyfika źródeł born digital(2023) Trzoss, Adrian; Werner, Wiktor. Promotor; Moskalewicz, Marcin. PromotorNiniejsza dysertacja poświęcona jest powstawaniu, funkcjonowaniu i recepcji narracji historycznych w Web 2.0. Praca składa się z dwóch części. Pierwsza, zasadnicza, to synteza oraz krytyczna refleksja nad przeprowadzonymi do tej pory badaniami. Na drugą część, przygotowaną w formie aneksu, składa się siedemnaście artykułów i rozdziałów w monografiach autorskich oraz współautorskich, które omawiane i analizowane są w części zasadniczej pracy. Główny problem badawczy rozpatrywany był z trzech perspektyw: teorii i praktyki związanych z analizą narracji historycznych, przydatności metod historii cyfrowej, metodologicznej refleksji nad specyfiką źródeł born digital. Jako obszar empirii wybrane zostały następujące platformy Web 2.0: YouTube, Twitter oraz Facebook. Wynikiem pracy jest zaproponowanie nowej definicji narracji historycznej uwzględniającej treści powstałe oddolnie w oparciu o paradygmat Web 2.0. Definicja ta opiera się na rozumieniu narracji jako przejawu świadomości historycznej ufundowanej na elementach myślenia historycznego i ahistorycznego. W końcowej części pracy przedstawiono metodologiczny namysł nad źródłem cyfrowym. Może być ono traktowane jako efektywne źródło historyczne przy jednoczesnym zastrzeżeniu, iż w wielu aspektach wymyka się tradycyjnemu rozumieniu źródła i jego krytyce, przez co wymusza sięgnięcia po nowe metody badawcze związane z historią cyfrową. The following thesis is focused on creation, functioning and reception of historical narratives in Web 2.0. It is divided into two parts. The first, core one, is a synthesis and a critical reflection on the research conducted so far. The second part, in a form of an annex, contains seventeen articles and book chapters, written by myself and co-authored, which are discussed and analysed in the first part. The main research problem was investigated from three perspectives: theory and practise of the analysis of historical narratives, usefulness of digital history methods, and finally methodological reflection on the specificity of born digital sources. The empirical base of the research was gathered from the following social media platforms: YouTube, Twitter and Facebook. As a result I propose a new definition of the historical narrative, which takes under consideration grassroots narratives created on the basis of Web 2.0 paradigm. The definition perceives narrative as an expression of historical consciousness, founded on the elements of historical and ahistorical thinking. In the last part, methodological reflection on digital source is presented. It can be treated as an effective historical source with the reservation that in many aspects it eludes traditional understanding of the historical source and source criticism, thus it is necessary to implement new methods of digital history.Item The Politicisation of historical memory on Twitter. “Positive antisemitism” in the Holocaust debate in Poland, Rethinking History(2023-09) Trzoss, Adrian; Werner, Wiktor; Kwiatkowska-Moskalewicz, Katarzyna; Moskalewicz, Marcin; Kleist, CyprianPolitical struggles on historical memory have adapted to the digital specificity of Twitter and are currently growing in significance. This study investigates the sentiment bias of a memory war between two major Polish political parties, the currently ruling conservative Law and Justice (PiS) and Civic Platform (PO), themain opposition party, concerning Polish-Jewish relations, and especially the Holocaust. 23699 PO tweets and 29441 PiS tweets from 2015-2019 were collected, out of which 241 concerning memory war were sampled with Lexicon-Based Approach. Sentiment was analyzed using tweet-wise consensual coding in ordinal 5-points scale and automated word-wise coding in 3-points scale. PiS tweets had more positive sentiment regarding the memory of the Holocaust and Jewish legacy in Poland. The final hermeneutical analysis showed that the rulling party narratives were aimed appropriation of collective memory and “Polonizing” the Holocaust, and that the positive sentiment was a function of ‘positive anti-Semitism’.