Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/1093
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dc.contributor.authorTalarczyk-Gubała, Monika-
dc.date.accessioned2011-06-20T10:26:25Z-
dc.date.available2011-06-20T10:26:25Z-
dc.date.issued2007-
dc.identifier.citationPORÓWNANIA. Czasopismo poświęcone zagadnieniom komparatystyki literackiej oraz studiom interdyscyplinarnym. nr 4, 2007, s. 119-125.pl_PL
dc.identifier.issn1733-165X-
dc.identifier.urihttp://hdl.handle.net/10593/1093-
dc.description.abstractThe Polish comedy in the 1990s and the first years of the new century reflected the mixed feelings with which the Poles welcomed the long-awaited freedom. In the times of systemic and cultural transformation, key tradition – romanticism and the Polish film school – became an indicator of the audience’s readiness for mental changes. As examples the author has chosen comedies-grotesques of makers with an acknowledged output, that stem from the cinema of moral anxiety – Marek Koterski and Stanisław Tym. Marek Koterski through his character, Adam Miauczyński – the Polish language teacher, showed the disappointment of the intelligence with the democratic government, its pauperisation and ahistorical attachment to the romantic paradigm.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo-Drukarnia Bonami/Pracownia Komparatystyki Literackiej IFP UAMpl_PL
dc.subjectFilm polskipl_PL
dc.subjectKomediapl_PL
dc.subjectTransformacjapl_PL
dc.titlePolska komedia filmowa po 1989 roku wobec wielkich mitów i grzechów przeszłościpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Porównania, 2007, nr 4

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