Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11504
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dc.contributor.authorWaligorska-Olejniczak, Beata-
dc.contributor.editorSzestakowa, A.W.-
dc.date.accessioned2014-09-19T13:55:32Z-
dc.date.available2014-09-19T13:55:32Z-
dc.date.issued2007-
dc.identifier.citation“Вестник Волгоградского Университета”,vol. 6, Volgograd 2007, p. 61-66pl_PL
dc.identifier.urihttp://hdl.handle.net/10593/11504-
dc.language.isorupl_PL
dc.publisherWydawnictwo Uniwersytetu Państwowego w Wołgogradziepl_PL
dc.subjectChekhovpl_PL
dc.subjectIsadora Duncanpl_PL
dc.subjectWielka Reforma Teatralnapl_PL
dc.subjectMeyerholdpl_PL
dc.subjectStanisławskipl_PL
dc.subjectMewapl_PL
dc.subjectdramat rosyjskipl_PL
dc.subjectgest scenicznypl_PL
dc.subjectCzechow-
dc.titleCategory of Theatrical Gesture in Theatrical Metacontext of Expressing Inexpressible. Drama of A. P. Chekhov and “Free Dance” of Isadora Duncanpl_PL
dc.typeArtykułpl_PL
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