Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/11992
Title: Matošev Cvijet sa raskršća– alegorijom do konfi guracije sebstva
Other Titles: Matošʼs Cvijet sa raskršća [Flower from the Crossroads]– Through Allegory to the Configuration of Self
Authors: Pšihistal, Ružica
Keywords: Antun Gustav Matoš
Cvijet sa raskršća
self
allegory
flaneur’s subjectivity
Issue Date: 2014
Publisher: Wydawnictwo Nauka i Innowacje
Citation: Poznańskie Studia Slawistyczne, 2014, nr 7, s.185–196
Abstract: Flower from the Crossroads (1902) belongs to the group of Matoš’s symbolistic novellas, rendered by the symbolically coded title, teleogenetic plot, characters as personified abstractions, motive topography (path, crossroads, garden) and especially the name of the protagonist (Solus). The name Solus, as an autofictional figure, contains its own glossary and reading instructions towards the solipsistic narrative matrix, which is supported by the diegetic level of the story through unusual events bordering dream and reality. With the help of the basic guidelines of Paul Ricoeur on storytelling as a hermeneutical mediation of the self and narrative analysis of the story, the main question of the allegorical interpretation in this study is: which model of self is offered by the narrative identity of Solus?
URI: http://hdl.handle.net/10593/11992
DOI: 10.14746/pss.2014.7.14
ISBN: 978-83-63795-79-5
ISSN: 2084-3011
Appears in Collections:Poznańskie Studia Slawistyczne, 2014, nr 7

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