Matošev Cvijet sa raskršća– alegorijom do konfi guracije sebstva
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Date
2014
Authors
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Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo Nauka i Innowacje
Title alternative
Matošʼs Cvijet sa raskršća [Flower from the Crossroads]– Through Allegory to the Configuration of Self
Abstract
Flower from the Crossroads (1902) belongs to the group of Matoš’s symbolistic novellas,
rendered by the symbolically coded title, teleogenetic plot, characters as personified abstractions, motive topography (path, crossroads, garden) and especially the name of the protagonist (Solus). The name Solus, as an autofictional figure, contains its own glossary and reading
instructions towards the solipsistic narrative matrix, which is supported by the diegetic level
of the story through unusual events bordering dream and reality. With the help of the basic
guidelines of Paul Ricoeur on storytelling as a hermeneutical mediation of the self and narrative analysis of the story, the main question of the allegorical interpretation in this study is:
which model of self is offered by the narrative identity of Solus?
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Keywords
Antun Gustav Matoš, Cvijet sa raskršća, self, allegory, flaneur’s subjectivity
Citation
Poznańskie Studia Slawistyczne, 2014, nr 7, s.185–196
ISBN
978-83-63795-79-5