Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/13544
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dc.contributor.authorBąkowska, Patrycja-
dc.date.accessioned2015-07-06T08:06:26Z-
dc.date.available2015-07-06T08:06:26Z-
dc.date.issued2014-
dc.identifier.citationPrzestrzenie Teorii, 2014, nr 22, s. 101-116pl_PL
dc.identifier.isbn978-83-232-2827-1-
dc.identifier.issn1644-6763-
dc.identifier.urihttp://hdl.handle.net/10593/13544-
dc.description.abstractThe main purpose of this article is to show Old Polish literature and culture with regard to their performative aspects. By referring to Richard Schechner’s reflections, the author presents the Old Polish period “as a performance”. She focuses on issues such as time, space and behavior, which allows us to notice those activities of nobles that led to the formation of their personal and collective identity. An analysis of poems and diaries reveals different ways of creating one’s “self”. Various gestures and ceremonies as well as the skills that nobles developed through school education and socialization processes unified the Old Polish society, even though it was ethnically and religiously diverse.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.titleW sarmackim teatrze życia (nie)codziennegopl_PL
dc.title.alternativeIn the Sarmatian theater of (non)daily lifepl_PL
dc.typeArtykułpl_PL
dc.identifier.doi10.14746/pt.2014.22.6-
dc.description.volume22pl_PL
dc.description.pageof101pl_PL
dc.description.pageto116pl_PL
dc.description.articlenumber6pl_PL
dc.description.journaltitlePrzestrzenie Teoriipl_PL
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