Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/13963
Title: The mysterious provenance and uncommon repertoire of the music collection belonging to the Dominican Pius Hancke
Authors: Hauptman-Fischer, Ewa
Keywords: Nysa
Antonio Vivaldi
Pius Hancke
Dominicans
harp
Issue Date: 2012
Publisher: Katedra Muzykologii, Wydawnictwo Naukowe PTPN, Wydawnictwo Naukowe UAM
Citation: Interdisciplinary Studies in Musicology 11, 2012, pp. 155-167
Abstract: Father Pius Hancke’s music collection includes numerous pieces written for harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. Hancke expanded it throughout his life and took it with him when moving home. He spent the last thirty years of his life in the Dominican monastery in Nysa. Music for the liturgy contained in his collection (masses, litanies) was certainly used there and is currently the only testimony of that monastery’s musical culture. Besides liturgical compositions, Hancke’s collection includes a number of instrumental pieces for harp with the accompaniment of other instruments and contrafacta of operatic arias. The latter often include parts arranged for harp, probably by Hancke himself. The scriptors’ names link this collection to a unique manuscript containing a Credo ascribed to Antonio Vivaldi.
URI: http://hdl.handle.net/10593/13963
ISSN: 1734-2406
Appears in Collections:Interdisciplinary Studies in Musicology, 2012

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