Peiper w Madrycie, czyli hiszpański topos
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Date
2012
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Publisher
Wydawnictwo Naukowe UAM w Poznaniu
Title alternative
Peiper in Madrid or the Spanish topos
Abstract
The pope of Polish avant-garde is a main character of a certain persistently recollected critical
topos. It claims that, after spending World War I in Europe, Tadeusz Peiper took a basic shape of
his poetical idea from avant-garde artists he then met. Critics who share this opinion believe that
Peiper, aware of these “borrowings”, was developing a carefully planned strategy in order to
conceal those external sources and to pretend originality. The author of the article disavows these
harmful assumptions, reconstructing their possible genesis (rooted in and continued prewar suspicions
of plagiarism) and analyzing some of their critical versions. In the same time she presents
wider and not only avant-garde background of Peiper’s idea (baroque, gongorism).
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Citation
Przestrzenie Teorii, nr 17, 2012, str. 163-195
ISBN
978-83-232-2449-5