Венок из сказа: круглый фантастический маршрут по пластам наррации между иронией и наивностью (по материалам Исаака Бабеля, Татьяны Толстой и Жоржи Амаду)

dc.contributor.authorAloe, Stefano
dc.date.accessioned2013-07-08T10:05:14Z
dc.date.available2013-07-08T10:05:14Z
dc.date.issued2012
dc.description.abstractThe essay tries to trace a path along some of the mechanisms of skaz following the works of very different authors: Tat’jana Tolstaja’s Kys, Isaak Babel’s tales and Jorge Amado’s Captains of the Sand. The joining aspect between these works must be found in the writers’ common attitude of permitting the characters and the internal narrator to directly convey their own points of view, while the author eclipses him or herself in a very hidden position. The reader has to reconstruct the author’s point of view by awakening his or her presence in the text, which is hinted at implicitly by irony, nostalgy, etc. Especially irony acts as a veiled link between the author and the reader, who percives his or her self-exclusion from the hic et nunc of the narration and from the characters’ skaz: irony underlines this unreachable distance and separates the reader from the naive narrator as well as taking the author away from his or her narrator.pl_PL
dc.identifier.citationStudia Rossica Posnaniensia, Nr 37 (2012), pp.13-24pl_PL
dc.identifier.issn0081-6884
dc.identifier.urihttp://hdl.handle.net/10593/6581
dc.language.isootherpl_PL
dc.titleВенок из сказа: круглый фантастический маршрут по пластам наррации между иронией и наивностью (по материалам Исаака Бабеля, Татьяны Толстой и Жоржи Амаду)pl_PL
dc.title.alternativeA garland from skaz: a fantastic circular path across the levels of narration, between irony and naiveness (with examples by Isaak Babel, Tat’jana Tolstaja and Jorge Amado)pl_PL
dc.title.alternativeWianek ze skazu: cyrkularna fantastyczna wędrówka po płaszczyznach narracji między ironią a naiwnością (na przykładzie Izaaka Babla, Tatiany Tołstoj i Jorge Amado)pl_PL
dc.typeArtykułpl_PL

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