Ekfraza jako bohater parodii (o kilku wierszach Olgerda Dziechciarza)

dc.contributor.authorGrodecka, Aneta
dc.date.accessioned2013-12-30T21:37:10Z
dc.date.available2013-12-30T21:37:10Z
dc.date.issued2009
dc.description.abstractThe appearance of the parody of poetic ekphrasis is an important argument in disputes concerning its status. The author considers Olgerd Dziechciarz's collection of poems Galeria "Humbug" [The "Humbug" Gallery] as a missing link of reconstruction of the genre, referring to her own studies conducted as a post-graduate work Wiersze o obrazach. Studium z dziejów ekfrazy [Poems on pictures. A study in the history of ekphrasis] (in preparation). In the course of the analysis the author referred to paintings (H. Bosch, P. Cezanne, Michelangelo), other poetic commentaries of C. Miłosz, A. Stern as well as studies on art (among others D. Freedberg, F. Arnau), considering mainly the problems connected with the reception of pictures.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 11, 2009, s. 83-96.pl_PL
dc.identifier.isbn978-83-232-1986-6
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9449
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleEkfraza jako bohater parodii (o kilku wierszach Olgerda Dziechciarza)pl_PL
dc.title.alternativeEkphrasis as a potagonist of parody - on some poems of Olgerd Dziechciarzpl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego