Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu

dc.contributor.authorPinter, Kornelija
dc.contributor.authorSorel, Sanjin
dc.date.accessioned2013-05-29T09:22:47Z
dc.date.available2013-05-29T09:22:47Z
dc.date.issued2013
dc.description.abstractIn the article, from different linguistic and literary theoretical perspectives, parodic function of anaphora is analyzed on samples of Croatian contemporary poetry. The aim is to present how a poem, especially one that is not from the contemporary lyric collection, is not a realization of „mythic time”, but in its rhythms and structures, where repetition is conditio sine qua non of lyricism, it keeps a trace, a memory of the imaginary, of the myth which in speech revives what is hidden and suppressed.pl_PL
dc.identifier.citationPoznańskie Studia Slawistyczne, 2013, nr 4, s.139–150pl_PL
dc.identifier.isbn978-83-232-2525-6
dc.identifier.issn2084-3011
dc.identifier.urihttp://hdl.handle.net/10593/6332
dc.language.isootherpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectparodypl_PL
dc.subjectrepetitionpl_PL
dc.subjectaliterationpl_PL
dc.subjectmythpl_PL
dc.subjectCroatian modern poetrypl_PL
dc.titlePonavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvupl_PL
dc.title.alternativeRepetition, Parody or Disintegration of the Empty Plate of Magic Performatives in Croatian Contemporary Poetrypl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego