Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu
dc.contributor.author | Pinter, Kornelija | |
dc.contributor.author | Sorel, Sanjin | |
dc.date.accessioned | 2013-05-29T09:22:47Z | |
dc.date.available | 2013-05-29T09:22:47Z | |
dc.date.issued | 2013 | |
dc.description.abstract | In the article, from different linguistic and literary theoretical perspectives, parodic function of anaphora is analyzed on samples of Croatian contemporary poetry. The aim is to present how a poem, especially one that is not from the contemporary lyric collection, is not a realization of „mythic time”, but in its rhythms and structures, where repetition is conditio sine qua non of lyricism, it keeps a trace, a memory of the imaginary, of the myth which in speech revives what is hidden and suppressed. | pl_PL |
dc.identifier.citation | Poznańskie Studia Slawistyczne, 2013, nr 4, s.139–150 | pl_PL |
dc.identifier.isbn | 978-83-232-2525-6 | |
dc.identifier.issn | 2084-3011 | |
dc.identifier.uri | http://hdl.handle.net/10593/6332 | |
dc.language.iso | other | pl_PL |
dc.publisher | Wydawnictwo Naukowe UAM | pl_PL |
dc.subject | parody | pl_PL |
dc.subject | repetition | pl_PL |
dc.subject | aliteration | pl_PL |
dc.subject | myth | pl_PL |
dc.subject | Croatian modern poetry | pl_PL |
dc.title | Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu | pl_PL |
dc.title.alternative | Repetition, Parody or Disintegration of the Empty Plate of Magic Performatives in Croatian Contemporary Poetry | pl_PL |
dc.type | Artykuł | pl_PL |