Politika i teatar: „Zoran Đinđić” Olivera Frljića i „Oni žive” Milana Markovića i Maje Pelević
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Date
2013
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Wydawnictwo Naukowe UAM
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Politics and Theater: Oliver Frljić’s Play Zoran Đinđić and Milan Marković’s and Maja Pelević’s Performance They Live
Abstract
In this paper, I am dealing with the political theater and performance. Both performances
question the borders between artistic and non-artistic fields, and work with concept of
documentary drama. Frljić’s play is realized within the post-drama paradigm,for which the
idea of politics of theatrical form is important since it deals with the signifiers. Using the
post-drama paradigm, Frljić in his play works with political discourses active in Serbian
society in last 20 years. He touches the hidden collective traumas, and by this causes political
reactions of the audience and media, which I discuss. Markovićand Pelevićtake the politcal
parties to be the space for their performance. Their performance has three levels of
performing. The first level is their membership in different parties, the second one refers to
performing the text as a drama play, published in Scena magazine; and the third level
concerns their performance’s public reading by theaudience.
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Keywords
activism, documentary, event, political theater/performance, text, trauma
Citation
Poznańskie Studia Slawistyczne, 2013, nr 5, s. 89–101
ISBN
798-83-232-2636-9