„Ach, bal więc bal!" - polifoniczność dialogu w Za kulisami Norwida i Operetce Gombrowicza
dc.contributor.author | Jarząbek, Dorota | |
dc.date.accessioned | 2013-12-30T17:40:02Z | |
dc.date.available | 2013-12-30T17:40:02Z | |
dc.date.issued | 2007 | |
dc.description.abstract | The article presents some reflections on a dramatic motive of a bali (including a masked bali) in Polish 19,h and 20,h century drama, and tightly connected with this a problem of a polilogue (dialogue of a group of people as opposed to an ordinary dialogue with two persons involved). A masked bali in a drama gives an opportunity to show various ways of concealing and creating one's personality. It may be used as a sharp satirical cabaret, a grotesque composition on the edge of reality and dream (Za kulisami) or a kind of metaphor for processes of a human History (Operetka). Ali the cases are based on a fruitful use of a polilogue. It enables a playwright to intensify dramatic action, to give the show some scenic shine and colours, and also to penetrate into the question of characters' ontology: their existence in the polyphonic dialogue as a real being or a sketch, a sign of a person, a chorus or simply a background. | pl_PL |
dc.identifier.citation | Przestrzenie Teorii, nr 7, 2007, s. 265-287. | pl_PL |
dc.identifier.isbn | 978-83-232177-2-5 | |
dc.identifier.issn | 1644-6763 | |
dc.identifier.uri | http://hdl.handle.net/10593/9285 | |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Naukowe UAM | pl_PL |
dc.title | „Ach, bal więc bal!" - polifoniczność dialogu w Za kulisami Norwida i Operetce Gombrowicza | pl_PL |
dc.title.alternative | ["Ah, bali..." - polyphony of a dialogue in Za kulisami by C. Norwid and Operetka by W. Gombrowicz | pl_PL |
dc.type | Artykuł | pl_PL |
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