„Wyciągnięta otwarcie ręka”. O związkach pejzażu i cielesnego doświadczania przestrzeni w Wypadku Stanisława Lema

dc.contributor.authorDajnowski, Maciej
dc.date.accessioned2012-02-16T08:23:10Z
dc.date.available2012-02-16T08:23:10Z
dc.date.issued2010
dc.description.abstractThe aim of the article is an analysis of artistic landscape’s creation in Stanisław Lem’s short novel entitled Wypadek (The Accident). In peculiar – special attention is devoted to those aspects of poetics, which are crucial to representation of creative acts of imagination and sensual experiences (other than of visual nature). The way, the scenery of the presented reality is shaped, seems to be an important medium of anthropological concepts, including the relation between experiencing the sublimity of nature and cognition and acting, as well as it appears to function as the space of meanings established by both – the efforts of memory and imagination and the carnal experience.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 13, 2010, s. 113-148.pl_PL
dc.identifier.isbn978-83-232-2176-0
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/2120
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAM w Poznaniupl_PL
dc.title„Wyciągnięta otwarcie ręka”. O związkach pejzażu i cielesnego doświadczania przestrzeni w Wypadku Stanisława Lemapl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego